#Tone2 warmverb mac torret pro#
#Tone2 warmverb mac torret series#

Stylus RMX is a completely new groove-based virtual instrument plug-in for Macintosh and Windows. This a neat tool for experimentation and is certainly inspirational, but for those in the business of complex sound design, it's a little simple.Enjoy this nice VST release by AiR for Windows/OSX. However, it's more than the sum of its parts and can work magic on the right source. Warmverb is at times frustratingly limited, and while it looks like it could be a handy box for live tweakage, not all of its parameters can be manipulated without noticeable sonic artifacts. The feedback can be sync-delayed by up to two bars, and has a mix control and clip mode button that turns the feedback clipping on and off.ДЄfter the feedback tap is the mixer section, where the wet/dry balance between the processed and unprocessed signals is set before the audio is finally output from the effect. FX4 is next, after which the signal can be fed back to FX1's input. These are followed by the EQ section, with its three fixed bands.

#Tone2 warmverb mac torret series#

FX1 is followed in series by FX2 and FX3, which are parallel to each other. The plug-in has four slots, each of which can hold any effect, and the routing is fixed but fairly flexible. This functionality is at the very least awkward - if not impossible - to replicate in most DAWs. Warmverb's architecture enables the user to feed the post-effect signal back to earlier in the signal chain, with an overall wet/dry mix control for mixing the pre-effect signal into the final output.

#Tone2 warmverb mac torret pro#

The Surround Encoder offers Dolby Pro Logic surround encoding that pans the signal to either the back, left, right, centre, rear left or rear right of the surround field.ДЇinally, there's a mixed bunch of effects, such as a vocoder with built-in carrier settings, a pitchshifter that pitches down a lot better than up, and pretty standard tremolo, auto-pan and ring-modulation effects. The distortion section is probably the least impressive area, with just Drive and Postamp controls - but it's fine for basic signal dirtying. There's also a superb talkbox mode with a choice of vowel sounds, This effect in particular would benefit from having more available parameters for example, the formant frequencies are controlled exclusively by the LFO. Different pole settings would have been good, but they still sound tasty.

The filters include low-, high-, band-pass and phaser varieties, each of which has Cutoff, Resonance, LFO Speed and LFO Depth controls. The Superstrings unison-style module is the best of the lot though, sounding fantastic on synth sounds. The modulation effects are more interesting, and though the chorus and ensemble effects are basic, with only speed and depth, the flanger and rotary effects are great. The delays don't even take advantage of the four available parameter knobs, offering just Time, Feedback and either Damping or filter Cutoff controls, depending on which one you use.